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| Nope, North Weald in Essex.
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| Quote ="cod'ead"is that Blackbushe?
Bracket racing is still my favourite'"
There hasn't been a meeting at Blackbushe since the 1980's. I used to be able to hear it from my house in Farnborough.
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| Quote ="[Gareth"got a couple of good shots from the Waddington Airshow on Saturday'"
Nice set of photos - looks like you had good weather for it
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| Quote ="SteveH"Nice set of photos - looks like you had good weather for it'"
We did after it stopped raining
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| Feel the need to bump this thread as I miss seeing people's photos!
This is my lad playing yesterday. Nothing unusual in that you may think, until you know only 12 hours prior to this he literally couldn't stand after celebrating a little too well at his 18th birthday party!!
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| Quote ="rover49"Very nice, where abouts in Durham. I am up there in two weeks for a short break and might go and have a look myself.'"
Looks like High Force to me.
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| Indeed it is High Force, well worth a visit. We stayed in Middleton-in-Teesdale, it's a beautiful area we intend to visit again
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| Quote ="RoversTrace"Indeed it is High Force, well worth a visit. We stayed in Middleton-in-Teesdale, it's a beautiful area we intend to visit again'"
Went on Monday, got set up and the heavens opened
Did some nice stuff in Durham and St Mary's Island, not having much success loading them on here despite having had the instructions sent to me.
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| Safari pic from last weekend. Not the Leeds Rhinos, but the Pilanesburg rhinos.
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| Seeing those waterfall pics reminds me of something.
What's people's opinions on the best way to do water shots? Personally, I prefer to see a snapshot of action and movement with a fast shutter speed, rather than the more typical "smoothed out" way (as per the shots above). I appreciate that to get a good depth of field for a landscape shot, a longer shutter speed and wider aperture are sometimes needed, and it's all personal preferences. However the "accepted" way to do it seems to always be a long exposure, losing the dramatic "frozen action" shot.
Interested to hear opinions of both methods!
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| One example of the above, for contrast, would be this one of mine:
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Player Coach | 5659 | No Team Selected |
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I like the first one very much Trace. Where is it?
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I like the first one very much Trace. Where is it?
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Player Coach | 3592 | No Team Selected |
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| Thanks, it's taken on Marine Drive, Scarborough, about four years ago
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International Chairman | 14845 | No Team Selected |
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Dec 2001 | 23 years | |
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| Through the windiws today:
:39kyttvy[/url:39kyttvy
[url=http://s840.photobucket.com/user/David_Lyons/media/GSW3900cm_zps1ce2051d.jpg.html:39kyttvy :39kyttvy[/url:39kyttvy
[url=http://s840.photobucket.com/user/David_Lyons/media/BlueTit900cm_zps087bd4f6.jpg.html:39kyttvy :39kyttvy[/url:39kyttvy
[url=http://s840.photobucket.com/user/David_Lyons/media/Chaffinch3900cm_zpsf25d39df.jpg.html:39kyttvy :39kyttvy[/url:39kyttvy
[url=http://s840.photobucket.com/user/David_Lyons/media/Woodpigeon3900cm_zps50da37cf.jpg.html:39kyttvy :39kyttvy[/url
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International Chairman | 14845 | No Team Selected |
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| A bad case of tonsillitis:
[url=http://s840.photobucket.com/user/David_Lyons/media/Liz%20tonsillitis%20900cm_zpsuio8mwvz.jpg.html [/url
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Player Coach | 12755 | No Team Selected |
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| I like some of Dally's ornithological shots but don't think he can match my weasel on the back of a woodpecker piccie.
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International Chairman | 14845 | No Team Selected |
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| Quote ="WIZEB"I like some of Dally's ornithological shots but don't think he can match my weasel on the back of a woodpecker piccie.
'"
Nice one Martin.
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Player Coach | 12755 | No Team Selected |
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| Quote ="Dally"Nice one Martin.'"
Thanks Fred.
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Player Coach | 3592 | No Team Selected |
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| A few shots from our game today:
Some rugby shots from today
[IMGhttps://farm9.staticflickr.com/8616/16719704306_be8eefeba5_z.jpg[/IMG
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International Chairman | 14845 | No Team Selected |
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Oct 2021 | Jul 2021 | LINK |
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| Some low light Barn Owl pics from tonight:
[url=http://s840.photobucket.com/user/David_Lyons/media/Barn%20Owl%203%20900cm_zpsdpgoskjw.jpg.html [/url
[url=http://s840.photobucket.com/user/David_Lyons/media/Barn%20Owl%202%20900cm_zps7wlpldej.jpg.html [/url
[url=http://s840.photobucket.com/user/David_Lyons/media/Barn%20Owl%20900cm_zpslez9x8ih.jpg.html [/url
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Club Coach | 8119 | No Team Selected |
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Jul 2005 | 20 years | |
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Anybody know how to replicate the look from the 1980s photos in this book?
www.hoxtonminipress.com/products ... oto-book-6
I'm not entirely sure exactly what the technical term is for what I'm trying to replicate, but I'm basically trying to get the same look/feel which I presume is a function of how the camera handled the light/processing of the photo. Any thoughts?
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Anybody know how to replicate the look from the 1980s photos in this book?
www.hoxtonminipress.com/products ... oto-book-6
I'm not entirely sure exactly what the technical term is for what I'm trying to replicate, but I'm basically trying to get the same look/feel which I presume is a function of how the camera handled the light/processing of the photo. Any thoughts?
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Administrator | 25122 | No Team Selected |
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Quote ="Diavolo Rosso"Anybody know how to replicate the look from the 1980s photos in this book?
www.hoxtonminipress.com/products ... oto-book-6
I'm not entirely sure exactly what the technical term is for what I'm trying to replicate, but I'm basically trying to get the same look/feel which I presume is a function of how the camera handled the light/processing of the photo. Any thoughts?'"
If I understand you correctly you want to digitally post-process existing stock in a way which, during the eighties, was the product of mixing physical film stock and developing in a dark room. The easiest way is to get hold of a copy of something like Nik Software Colour FX Pro plugin for Photoshop. Then you want to use the Film:Efex Modern feature and post-process using one of its film stock simulators (AGFA Optima, FUJI Superia, FUJICHROME, KODAK GOLD, KODAK EKTACHROME etc. etc.).
To be honest, there are a million ways to post-process. But steer clear of sites like Instagram and the like. Whilst such often have a million different filters ,the raw processing power assigned to a print will be a fraction of what you'll get using your own PC running Photoshop/Photoshop Elements and such. To the naked eye it might not seem so great a difference. But trust me - the standards are really low and you end up clipping a chunk of the shadows and the highlights.
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Quote ="Diavolo Rosso"Anybody know how to replicate the look from the 1980s photos in this book?
www.hoxtonminipress.com/products ... oto-book-6
I'm not entirely sure exactly what the technical term is for what I'm trying to replicate, but I'm basically trying to get the same look/feel which I presume is a function of how the camera handled the light/processing of the photo. Any thoughts?'"
If I understand you correctly you want to digitally post-process existing stock in a way which, during the eighties, was the product of mixing physical film stock and developing in a dark room. The easiest way is to get hold of a copy of something like Nik Software Colour FX Pro plugin for Photoshop. Then you want to use the Film:Efex Modern feature and post-process using one of its film stock simulators (AGFA Optima, FUJI Superia, FUJICHROME, KODAK GOLD, KODAK EKTACHROME etc. etc.).
To be honest, there are a million ways to post-process. But steer clear of sites like Instagram and the like. Whilst such often have a million different filters ,the raw processing power assigned to a print will be a fraction of what you'll get using your own PC running Photoshop/Photoshop Elements and such. To the naked eye it might not seem so great a difference. But trust me - the standards are really low and you end up clipping a chunk of the shadows and the highlights.
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